
I'm finally able to show you my submission for
Amy's
Tie One On. The theme this time was Havana Nights, and besides being an adventure in sewing without a pattern (again), there was an added benefit: I was introduced to the
Buena Vista Social Club's music and documentary of the same name. Very engaging and fun.
A shuffle of ruffles!
I made the apron in time for the initial deadline but hadn't taken pictures of it in its completed state. Not to worry I told myself ... Amy had extended the deadline... so therefore, I had more time to procrastinate about photographing the apron!
A welt 'pocket' technique to create slits in the top layer.
Then in late May, I realized that I better get a move on the photography and send it off to her or else.
Detail of waistband - wanted both sides to be as flat as possible.
You can go see all the awesome aprons
here.

I made it reversible to show two different sides of Cuba (at least my perception of Cuba since I've never visited). The first side is utilitarian but with slits in it to give hints of what is beneath. Once the bows are untied, the utilitarian side is flipped over, and the bows are re-tied, a night of dancing is in order.

This was my most difficult apron yet. I sketched and re-sketched and figured out mathematical equations, bought the materials (had trouble finding the right width of eyelet lace), and then stood, with scissor in hand, wavering. I always hate those first few cuts.
What if I mess it up? It's funny, I was rereading something in
Amy's book about the various 'types' of crafters. Although I think I fit the different categories (Miser, Perfectionist, Speed Demon & Artist) to various degrees and with various projects, this apron has me now in the 'artist' category. The one where yes, there's creativity, but the possible 'inability' to re-create what I've made! Yikes.